Times have changed pretty radically, however, and now most people have high-speed internet connections that make the 14.4 modems of the past absolutely archaic, and new consoles come packed with enough storage space to hold dozens of full games. But expansion packs still haven’t made their way to consoles with any sort of regularity, and with the new focus on high development costs and yearly iterations of franchises, I’d say we won’t likely ever see them again. Instead, the flavor of the day is the ubiquitous downloadable content (or DLC, as it has become colloquially known).

I’m not sure any innovation in gaming has distressed me as much as the advent of DLC. I fully understand the need to bump the standard price for a retail game from $50 to $60, given that after 15-plus years at the former price point, we were due for an increase, especially since development costs have risen exponentially (and haven’t been offset by the rise in sales and popularity for videogames). I don’t even mind the extra $10-$30 that gets tacked on for “special editions” as long as they offer something tangible, like a collectable lunch box or other knick-knacks. What kills me is the DLC that you are almost forced to buy to get the full game experience, which often ends up pushing the final cost of the game to $100 or more. It’s a very transparent cash grab by greedy publishers, and it is slowly pushing me away from console gaming.

In the interest of fairness, not all DLC is evil. There are a number of different types of downloadable content, and some developers/publishers use this new medium in the proper way. Let’s take a look at the various types:

1. DLC that adds sizable content that takes place outside the vanilla game, yet integrates well into the existing world. The prime example here is the Fallout series, which has received numerous, excellent add-ons that are purely optional but very well-crafted.

2. DLC that provides trinkets and items that are purely cosmetic additions and are not necessary for the full game experience. See the Ace Combat series for an over-the-top example of this type of content.

3. DLC that provides trinkets and items that drastically alter the balance of the game by providing overpowered weapons or armor to the user. In a single-player environment, these are optional and probably nice for those that struggle with completing the game, but in a multiplayer scenario, they can destroy the competitive balance. The Dead Space series is a good example of this. Often this type of content is offered as a pre-order bonus from various distributors.

4. Map packs in first-person shooters. Occasionally these are provided for free, but more often than not, they cost $15 to add four or five new maps into the rotation for online games, and they are pretty much a requirement for anyone that plans on playing the game regularly. Popular titles can see the release of three or four of these packs, pushing the price of the game into triple digits if you want to keep playing. Check out any Call of Duty or Halo installment to see this.

5. Increasingly popular is the “online pass” that comes with every new copy of the game, but requires a $10 fee to get online with a used copy. Electronics Arts has championed this particular type of DLC, with everything from Madden to the recent Need for Speed: Hot Pursuit. Blame GameStop for this one.

6. DLC that was once part of the final product but was then stripped out at the last minute (but left on the disc) so it could then be sold later at a premium price, often day-and-date with the release. Many times, the story will feel incomplete and have notable gaps if you haven’t bit the bullet and bought into the “extra” downloadable content. Mafia 2 and Dragon Age 2 are prime examples of this practice.

I certainly have no issue with the first type. Fallout 3 and Mass Effect 2 were given additional life by the steady release of fully-fleshed-out and interesting content that came out over the course of a year after the release of the main titles. One could easily spend dozens of hours with just the stock game and never feel like he was missing out on a thing; the extra content was there for those who loved the universe and felt like they wanted to explore it more. I absolutely support any developer who wants to go this route.

I find I have varying levels of distaste for the rest of these scenarios, though. If someone wants to spend good money on horse armor or on having all the cars in Burnout: Paradise unlocked for her so she doesn’t have to play the actual game, well, I might not be into it, but I ‘m not going to get all up in arms over something that doesn’t affect me. Map packs are something that does bother me; oftentimes, these packs are just rehashes of maps from earlier entries in the series and, thus, don’t require much effort on the part of developers – and even the ones that are entirely new seem like they should be priced a tad bit more reasonably. They also serve to fracture the online community, since you can’t play with those that don’t have the new content, and once a game gets older and the online presence starts to die out, such a schism can essentially break the experience for folks who don’t want to invest another $45 in a title they already plopped down $60 for.

The “online pass” is something I understand the need for, but, at the same time, I can’t help but feel like I am being punished for the greed of GameStop (and, now, Best Buy). I fully understand developers’ frustration at used game sales sucking up all of their profits – they obviously don’t get a dime for GameStop’s second-hand wares – and I also understand why stores push so hard for consumers to purchase the used version, given that their profit margin is so much larger. But punishing the end user for this seems a little disingenuous. I pity the poor fool who is convinced he should get a game used at GameStop for $5 off the retail price, only to get home and find out he needs to pay another $10 to play the game online, something the employee likely didn’t mention during the sale. Poor Joe SixPack now has shelled out $5 more than a new game would have cost to get a dinged-up version (often in a generic case) through no real fault of his own, other than ignorance.

But the scourge of all gaming is the now-almost-standard practice of yanking content from a full game and forcing people to pay extra to get the remainder of the experience. I find this to be shady, insulting, and even a bit unethical. This is almost always a publisher choice; I am willing to bet most developers don’t want their games hacked up, especially knowing that many players, since they will never purchase the DLC, will be left with an incomplete experience and vaguely resentful feelings. The latest Prince of Persia offering was sold without a real ending, which was there when the game was developed but which was pulled after someone decided that they could get another $10-$15 out of innocent consumers by selling it a month later. The truth of the matter, sadly, is that most people finished the game, got disgusted with the lack of resolution, and never picked up the DLC – and, thus, were turned off of the series. Any time DLC is included on the disc itself, it’s an extra slap in the face. There is no reason other than pure greed to lock out that content, especially when it is already in the player’s hand. I personally will never pay one red cent for any of that content, and I refuse to support any publisher who wants to go that route. Unfortunately, with the major companies, this approach seems to be turning into the standard rather than the exception, and I honestly feel it is ruining gaming.

I don’t expect any of you to join me in my boycott, but just remember – if you support the wrong sort of DLC, it will only become more prevalent, so much so that, one day, our $60 will just buy us a game engine. If you actually want something to do in that world, be prepared to turn over your bank account details to EA and Activision.

The highly anticipated – and highly advertised – sequel to Dragon Age: Origins, Dragon Age 2, was released on March 8th, 2011…much to the dismay of some of its “fans.” Apparently, a sect of the more vocal constituents of the preceding game have cried out to the Maker in agony, struck by despair at their sense of betrayal for receiving a game so horrible, it cannot be played. At least, if Metacritic.com’s own user-created reviews are to be regarded as a fair and balanced response to the sequel. Yes, the internet is always an excellent source for objective criticism.

But what’s strange is the vast difference in response from the critics’ reviews and the user reviews on Metacritic. Surely, the occasional fan will take umbrage at a game in a way that differs from the popular critical response, or even the majority view of other users, but Dragon Age 2 plays an unusual role here. The critical Metascore for the game is an 80/82/83 (360/PS3/PC), while the user scores are 4.3/3.8/4.3; it would be enough if only a handful of people reviewed the game, but there are a total of over 5,000 user reviews for this title alone! This kind of response for videogames is actually more common on Metacritic than you might think – for example, Call of Duty: Black Ops has an equivalent critic-to-user difference of an average of 30 points (using Metacritic’s critic-based scoring). But for a title like DA2 to receive this kind of blog-flogging from its prior supporters seems strange considering developer BioWare’s commitment to producing games with its fans in mind.

So, why all the hate? Is this game so terrible? Apparently, in this case, it does depend on who you ask. The venom that has been spewed forth – especially on BioWare’s own messageboards – about feelings of the title being “garbage,” “a failure,” and even the “death of the series” are extreme, to say the least. But this seems to be more the case of those vocal few who view the internet as an outlet for extreme opinions, rather than those who have assessed the game on its own merit. Considering the majority of these opinions surfaced in short time after the launch of the game, one wonders just how much critical attention the outspoken “fans” truly devoted to this title.

Perhaps some (if not most) of this is due to the antagonistic relationship outspoken gamers have with sequels. Some resent publishers for producing sequels, claiming that they are produced simply to capitalize on the success of their predecessors. While this is true (after all, why make a game you intend to make no money on?), these same individuals fail to recognize that many games now have the capacity to tell an interactive story far beyond the scope of games of yore. And these same games – and their corresponding stories – develop and grow with time. Sequels (and DLC, to an extent) are the extension of that philosophy.

To be fair, the game is not without its share of shortcomings. I wonder who the architect of Kirkwall was, and his obsessive compulsion to design each cave, warehouse, or Hightown mansion in a uniform way, much less the interior decorators, who furnish each home with frighteningly similar paintings, chairs, et cetera. Or, perhaps, the unusual amount of dropped equipment that the player will likely never use, especially with regards to armor. And I still chuckle when I visit the Viscount’s manor and hear the canned background speech from one poor soul who apparently has been forced to wait to see the ruler of the city for over three years, if the game’s chronology is to be believed.

But for all its idiosyncrasies, the game is a triumph of episodic gameplay, in its own way. The massive collection of quests gives the player a variety of different residents of Kirkwall to interact with – and sometimes kill and loot. Moral choices and lasting consequences are still as ubiquitous in Dragon Age 2 as they are in many BioWare games, but now the end results of your actions are more clearly defined in many cases, giving the player the freedom to direct the story better than its predecessor did. The combat system is fast and dynamic, the tactics portion of combat is more accessible and meaningful (with the addition of cross-class combos), and attributes and abilities are more balanced and multi-functional than before. And not once did I have to backtrack to a shop before completing a quest to sell loot, simply because I was “too encumbered” (take that, Fallout 3!).

One of the best moments you can appreciate how much detail has gone into the “streamlined” art direction of the game comes when you compare the detail between the different races and characters in both games. Elves and dwarves especially look more distinct from their predecessors’ counterparts, giving them a visual personality. But no other race has undergone such drastic alteration as the Qunari. Now endowed with horns, and a stone-like fleshtone, they remind me of what design choices went into the Klingons of Star Trek after their first appearances on the television series. But to truly see the difference, you will have to encounter one of your former companions. After I met up with one from the first game (no spoilers), I was amazed how much more animation and detail went into his (okay, little spoiler) appearance this go around.

Where DA2 shines the most is in its intricate story. According to lead designer Mike Laidlaw in the foreword for the strategy guide (beautifully designed by Piggyback Interactive), the development team “jokingly used to pitch [Dragon Age 2] as ‘two archdemons stapled together to lead a super Blight!’ Perhaps you can see why [they] wanted something different.” While this is apparently lost on some so-called “fans” of Dragon Age: Origins, the story is the beginning of an exciting epic, much as the Assassin’s Creed series has bravely adopted.

This game explores a rare place in the fiction of any game, one where politics and intrigue play out around the Champion of Kirkwall’s heroics. Quests and interactions with the major players in Kirkwall are some of the most fascinating moments in any role-playing game. Between the ruling Viscount Dumar, the Fereldan refugees (of which Hawke, the protagonist, is a member), Knight-Commander Meredith, and the Arishok – a figure who leads his people through the harsh tenets of the Qun – DA2 is stuffed full with moments of tension and believable characters with identifiable motives. The underlying parallels between conflicts of religion, race, and government in the game are almost painfully recognizable in our own modern world, only previously hinted at in Origins, now explosively relevant in the context of its sequel. To see these comparisons made in the fantasy world of Thedas makes for some intelligent storytelling that requires its audience to draw their own conclusions.

In the end, Dragon Age 2 is, in many ways, much like the entertaining supporting characters that ally themselves with Hawke. Like the saucy pirate vixen Isabella, it is a tarnished beauty; already in its short life, it has endured wildly varied support and extreme – and unfair – condemnation. Like Fenris, former Tevinter Imperium slave and fugitive, it has fought against the trappings of its former life, and been attacked for daring to live in a way different than the unfair expectations posited upon it by its users. And, maybe like Anders (imagine Malcolm X as a mage), I, too, rally to defend this enjoyable title from unfair persecution, and enjoy DA2 for what it is – a fun game.

Which is not to say, of course, that I have ignored the PS3’s software – Uncharted is easily one of the best games to arrive this generation, as are the ingenious LittleBigPlanet and the masterpiece Heavy Rain – or ever failed to rave about the big black box’s absolutely stellar downloadable library, which includes the likes of Echochrome, Pain, and Everyday Shooter (if Halo Wars is the game that I literally have not been able to put down this generation, then ES would easily be my wife’s. We have an affliction, I know). I have always, since my youngest days as a gamer, deliberately collected every (major) console to have access to its roster of exclusives, even going so far as to beg, plead, and torture my parents to purchase the Sega CD for the (now-dubious) likes of Sewer Shark and Night Trap; it’s strictly in the confines of multi-system titles that I’ve favored, usually irrevocably so, one of my babies over the other(s), not unlike Jehovah with Cain and Able.

But something strange has been happening over the past year-and-a-half or so, starting slowly at first but now quickening at an almost exponential rate: I am buying the PS3 version of games, when and where applicable, over the 360. For Batman: Arkham Asylum (August 2009), it was the exclusive downloadable content; for Assassin’s Creed II (November ‘09) and Brotherhood (November ‘10), it was the ability to connect to the PSP game and previous console entry, respectively; for Dead Space 2 (January ‘11), it was the inclusion of a better-looking and -playing version of Extraction (September ‘09), a game I already own on the Wii; and for the upcoming Portal 2 (April ’11), it’s unquestionably the Steam support, something that Microsoft could never allow with its current configuration of Xbox Live. At this rate, I have little doubt that at this year’s E3 presser, Sony will provide me with another two or three games I’ll have to scratch off of the Xbox list and hastily scribble in under the PlayStation column.

Despite my parents having always told me, at every available opportunity, that I was a special boy growing up (the last time, in fact, was just last week), I have to imagine that there are scores of gamers out there that are just like me, that, though it would be near-impossible to make them flip their default settings, they can certainly be motivated to deviate from it, and deviate from it quite often. Though it’s still unlikely that the PS3 will be able to out-sell the 360’s install base by generation’s end next year, there is certainly the very real possibility that Sony will be able to steadily and diligently chip away at Microsoft’s lead, eroding its foundation and doing much to level the playing field at the start of the 512-bit cycle of consoles. Then again, maybe not – I am that sick gamer, after all, who just has to buy the collector’s edition of a title whenever it’s available, whether it may contain a statuette of in-game characters or a deluxe art book or just some fancy packaging. (I’m doubly afflicted, I know.)

There’s also the small problem of MS seeing both revenue and gamer chic slipping through their fingers, one digital drop at a time. Announcing that all Call of Duty DLC would be timed-exclusive to the 360 was a significant step in the right direction – of getting the exclusives pendulum that Sony openly mocked at the beginning of this generation and now has fully embraced to swing back in its direction. Although Sony will shortly have the entirely new venue of NGP-PS3/PS4 connectivity available to it, building upon Ubisoft’s AC example (and, of course, Nintendo’s – with the Game Boy and numerous home consoles – before that), it should be battening down the hatches in anticipation of Microsoft’s inevitable counterstrike.

Although this current generation may be (finally) starting to cool down, the larger battle is just warming up.

We know. Oh, yes, we know… and that is half the battle.

The other half is a good start.

Oh, yes, it is…

Parjanya Holtz
Senior Editor
Everyone who has been working with and/or for TPS at some point in his or her “career” knows that Marc N. Kleinhenz not only is a hopeless Nintendo fanboy (who sprawls within the realms of a bewildering love/hate relationship with Sony), but he’s also a witch and, henceforth, proud owner of a mysterious crystal ball. To put this into some context, MNK has both successfully predicted that by 2012 California won’t be smart (safe) to live in (which, understandably, is part of the reason why he abhors the idea of living in the Sunshine State so much) and spoiled the next Twilight movie for half the staff. (Except for Aram and Andy, who both had already read the book.)

So, why are we gathering here for yet another group discussion? The answer is simple: Marc likes to see us make fools of ourselves. While he knows what’s going to happen, we speculate wildly on what the new year will have in store for our beloved videogames.

With Sony celebrating the PS3’s fifth – and Microsoft, the 360’s sixth – birthday in 2011, one would think that this hardware generation is about to begin losing its momentum. However, one quick glance at the PS3’s (scheduled) lineup for next year should make every Sony fanboy dance his own name. So what do I predict besides Sony delivering the system’s strongest list of games to date? How about the PSP2 and the PSPhone? Both make absolute sense looking at the most recent developments on the market(s) (the PSPhone will go up against the iPhone, and the PSP2 against the 3DS), plus all the rumors and “leaked” images of both systems popping up on every blog these days pretty much confirm that it won’t be long until we will hear of both. E3 2011. Any doubts?

My other “major” prediction is the surprise unveiling and release of a new independent property that will be exclusive to the PS3. All of Sony’s new IPs have become major successes, and I wouldn’t be surprised if they felt comfortable enough to give a studio like Ready at Dawn a shot at creating an entirely new franchise that’s once again exclusive to the PS3. Actually, thinking about the talk I had with Dana Jan [the God of War: Ghost of Sparta game director], I am pretty convinced that it’ll be them becoming Sony’s next big second-party PS3 developer.

I also predict the unveiling of a Wii HD, which will likely be less of a successor and more of a fully backward compatible “pro” version of the current generation Wii — actually quite similar to Sony’s and Microsoft’s redesigns, but with a few more system-enhancing hardware upgrades. The Wii 2 will probably not be unveiled before E3 2012, alongside the PS4 and Xbox 3.

What do you guys think?

Marc N. Kleinhenz
Features Editor
There will be no Wii HD. Nintendo is following a traditional, old-school philosophy with their systems – just one per generation, thank you very much – and they’ll jump right to the Wii Too (yes, I really do think it’ll be called that). It’s more than likely that Nintendo will “announce” it at next year’s E3, just as they tipped their hand in regards to the Revolution and its Virtual Console at E3 2005, with a full blowout at and release for ‘12. Whether or not the Xbox 720 ships the same year is unknown, although extremely likely.

Another prediction: all three next-gen systems will launch with cameras to complement their packed-in motion controls (and, possibly, their pack-in traditional controls).

One last one: at least a quarter of the 2011 PS3 exclusives, such as The Last Guardian and, just possibly, SOCOM 4, will get delayed until ‘12.

Kyle Heimbigner
Staff Writer
I see The Last Guardian actually finally coming out in 2011. I think we’ll see a lot of it at E3, and then it’ll have a Christmas release. But, yeah, ‘11 is looking to be what ‘10 should have been for Sony. The first half of this year was strong, but Sony’s Christmas has been very disappointing – unless you wanted the PlayStation Move, and even then you are still waiting until 2011 for the good motion games. LittleBigPlanet 2 will be the game everyone talks about next year, too, I think, along with Killzone 3. Most likely, though, LBP2 will get all of the attention – until Uncharted 3 comes out. There is really nothing from Microsoft next year that really makes the 360 stand out like Sony’s lineup of games does.

Aram Lecis
Señor Editor
My first prediction is that there is no way it will be called “Wii Too.” That’s way too clever for Nintendo. It will actually be called SDNES, for Super Duper Nintendo Excrement System.

While I do not think we will even see a reveal of a new console in 2011 (maybe from Microsoft, but even that I sorta doubt), I think Paji is right on with the PSP2 for sure. Maybe there will finally be the PSPhone, but even if such a thing does come to pass, I see it going the way of the Microsoft Kin, and I’d be amazed if it did as well as an N-Gage. Sorry – iPhone has that platform on lockdown, and Droid picks up the slack for those nonconformists that now hate Apple as some big, faceless conglomeration that must be stopped (oh, how the tides have turned).

Game-wise, things look a little grim for 2011 right now. Yes, there is a spate of sequels to highly regarded games, but there is a dearth of new IP, and that makes me a sad gamer. I’m not denying that there can be excellent sequels, but you are still just playing a refinement of an existing game, and as I am an aging product of a society that celebrates short attention spans, it is very hard for a sequel to keep me gripped or get me excited. Still, there are always a few surprises that come out of nowhere to be really good games (like Darksiders in 2010), so I’m betting there is something out there. I am excited about Twisted Metal, which clever readers will point out is another sequel… but when you haven’t put out a full console game in almost 10 years, then a sequel is okay.

My only other thought is that we will probably see a decline in the 3D push by late in 2011 (and perhaps motion controls, too), barring someone coming up with an actual “killer app” that makes 3D (and motion) anything more than a gimmick that adds nothing to the gameplay. I’m probably wrong, but I should be right.

Sam Bishop
Editor-in-chief
Oho, I want to get in on this!

I’ll steer clear of new hardware predictions (though the PSP2 is real and the PSPhone is a PlayStation device only in our clever little naming convention-making minds and is an Android device first with the option to play select downloaded PlayStation titles), but I’ll insist this will be the last full-blown year where everyone’s still fully committed to their home hardware (okay, maybe just MS and Sony). We’ll likely see the best-looking, most refined, and most expanded game concepts of the generation in 2011, with 2012 serving as sort of the swan song for our lovable black brick. There’ll be a price drop to $200 to get hardware sales moving at a pace deserving of easily the most impressive year in terms of sheer software output.

3D has definitely become something of a pratfall for Sony. While I love that games are leading the content charge (seriously, I think there’s, like, 20 times more 3D games than there are TV programming and Blu-rays combined), it’s clear that the tech cannot be bolted onto an existing engine and just left at that. Games need to be made for 3D first, and ideally with Move thrown in there, too, to properly show off an interface that uses all the space in front of the player in more than just waggle ways. I think we may see some interesting experiments in both tech, but until they’re standard in the PS4 and every HDTV out there is also a 3DTV (which will absolutely happen in the next few years), it’s a tough sell for all the performance hit and extra dev time it would take to make a “real” 3D game. I fully expect someone like Kojima to really do it all justice in the next few years, and I can’t wait.

I’d say most of the stuff hitting with definite dates already (like Uncharted 3) will stick to their dates. The Last Guardian is very likely an early 2012 game. I just don’t see it making it this year, but E3 is going to be insane. There’s still a lot of stuff that’s unannounced so far (like Lightbox’s Warhawk follow-up), and there will definitely be a full hardware reveal of the PSP2, so I’m pumped. I don’t mind all the sequels right now; this is the point in every hardware cycle where devs leverage the experience and continued refinements to their engines to make the games rather than the tech, and I think we may see plenty of games with the numeral three after them hitting, but they’ll be hands-down the best of their franchises.

When we start to head into new hardware next year (and that’s 2012, at the earliest), that’s the time for devs to start creating new IPs, and Sony has shown that its first-party studios don’t mind making huge leaps into something new. For now, I’m happy to just enjoy the continued price breaks and advances to familiar gameplay and franchises that the end of a hardware cycle entails.

Aram Lecis
Señor Editor
I WANT MY NEW GAMES YOU SHUT UP!

Sam Bishop
Editor-in-chief
I WANT THEM TOO BUT I ALSO WANT STARHAWK AND G-POLICE AND COLONY WARS AND OH GOD I CAN’T STOP TYPING IN CAPS SOMEONE HEEEEEEELP ME!

(Also, yeah, the PSN has sort of emerged as its own half-platform, and that definitely seems to be the most fruitful germination point for new ideas – and that’s not a bad way to do it, really. Less risk, possibly better rewards.)

Marc N. Kleinhenz
Features Editor
I actually think we’ll see a $199 PS3 (and, of course, Xbox 360) at the end of next year, as opposed to ‘12, but – hey – I was wrong about a price drop for the Wii this year, so who knows.

If we don’t see cheaper systems this coming year… then when will the manufacturers introduce the 512-bit systems? Unless, of course, they all take the PS2 route, with the first several years of the new generation being slightly eaten by a more-productive-for-longer older gen?

Sam Bishop
Editor-in-chief
I’d honestly be surprised if we didn’t see E3 announcements of $200 and permanent bundles for the rest of the gen. Any extensions to current prices could be an attempt to offset R&D costs, but, most of the time, that’s all sunk in the hopes of getting it all back over the course of that gen.

Basically, it’s my guess that if prices hold past the middle of this year, tuck in for at least another full year of the current hardware. And, honestly, as much of a spaz as I am about new hardware reveals, I’m okay with a few more years. Let ‘em work out those motion control kinks to see what works and what doesn’t before we end up just grouping them into the next gen by default.

Daniel Hemsath
Features Freelancer
2011 and the future of gaming… let me peer into my crystal ball… I see… goldfish. Oh, wait… this is a fishbowl.

Seriously, though, I’m sure Nintendo will release an HD system, and I’m inclined to agree that it will be backwards-compatible with Wii games (GameCube, who knows) and feature a camera. It seems a little less “revolutionary” than the Wii was, in light of recent motion-gaming advances, but I suspect that Nintendo will embrace the audience introduced to gaming with the Wii, and still surprise us with a trick up their sleeves. The 3DS is already confirmed for 2011, but I think it’s going to be less successful than the DS was – until the inevitable price drop. It seems like too many “non-gamers” see the DS as a toy, not an interactive media device, like an iPhone. Parents won’t shell out $300 (or even $250) for a device that might make their six-year-old throw up; apparently, they might weigh the consequences if it were cheaper, I guess.

Back when the PS3 dropped in price to $300, I was dumbfounded. I couldn’t figure out how they could afford to do it. I heard they were losing money on every system made. So a drop to $200 sounds crazy – but videogames are a dynamic market. Technological advances come up with memory, production, etc. so fast that I doubt Sony really is losing money on the production of their consoles at this time. So, maybe, it’s not so implausible. For anyone who’s been holding out, $200 is the magic price. Heck, $300’s still a steal.

PlayStation Phone – knowing Sony, it’s guaranteed to release next year. Early reports suggest that it will be modeled after (or crafted from the bodies of) the PSP go, which isn’t surprising. After all, Sony has a way of reusing its technology until it catches on; take UMDs and their progenitor, the MiniDisc. But as for the PlayStation Phone’s audience? With iPhones, Droids, and even the Windows Phone 7, the market’s not just saturated, it’s underwater. Can the PSPhone remain competitive – or even dominant – in its arena?

And as far as the PSP2 goes, I’m sure we’ll see it in 2011, albeit as a holiday release. (Wouldn’t that be something?) I’m interested in seeing what really sets it apart from its competitor, aside from being very pretty, I’m sure. I’m honestly hoping it will push for a sophisticated DLC-oriented library, a la “apps,” or other Media Go-styled content; I believe that this is the future of portable gaming, not cartridges the size of postage stamps you’ll lose in-between the cushions of your couch.

And Microsoft? Sure, there’s Gears 3 and Forza 4 (which I’m sure will be Kinect-enabled and big sellers), but what else is there? Is Microsoft really that confident in Kinect that they feel they can coast on it? I can’t even see any significant Kinect games coming out next year that make this accessory a “must have” for 2011; even Child of Eden (which looks slick) is a bit niche. And while I don’t believe that we’ll hear of an Xbox 3 (or 720, depending on preference) or PS4 next year, I’m sure holiday 2011 will determine Microsoft’s future role in gaming – for better or worse – depending on which audience they embrace and which audience they take for granted.

Sam Bishop
Editor-in-chief
Just to chime in one last time on some of this, the PS3 was still losing just a few bucks per unit sold when the Slim dropped at $300, but this was quickly corrected and Sony has been making a profit on the system more or less since it launched. If they do drop to $200, it’ll likely be because they were able to move to a new fab size and maybe squeeze more into less space. Then again, at this point, they really can’t afford to slip any more. The PS2 is dead. The PSP is dead in the States, and the PS3 is chilling in a distant third here, too. I think any future pricing moves will be reactive rather than proactive, but I do still think we’ll see a $200 system. The software isn’t just there, it’s everywhere, so really the only thing holding back consumers seems to be the relative price difference versus the other systems. As long as that barrier is there, no talk of bundled Move controllers or Blu-ray playback is going to knock it down in consumers’ eyes. Two hundo certainly would.

And again, on the PSPhone (sorry I brought it up again), remember that it’s a Sony Ericsson device, not a Sony Computer Entertainment one. It has PlayStation functionality in limited download form, but it’s not a PSP and likely won’t carry the PlayStation name. Sony needs to keep that as pure as possible leading up to the reveal of the PSP2 around E3. The phone may do well (the Xperia devices have been doing okay, I believe), but it shouldn’t be judged by the same metric as normal PlayStation hardware. It won’t get that push, it won’t get that reveal, and (hopefully, in Sony’s mind, I’m sure) it won’t pull focus from the real PSP successor that’s waiting in the wings.

Parjanya Holtz
Senior Editor
Yeah, I think Sam pretty much has it figured out regarding the PSPhone. They want the PlayStation name out there tied to their Ericssons so those will do better, not the other way around. It’s more a marketing coup than a real noteworthy PlayStation release. (Remember, the old Sony Ericsson phones all used to have the PlayStation controller logo already in there, so the interconnection is not entirely new.) However, if they do it right, Sony Computer Entertainment could actually really profit from this. Minis need a push, and in the end it might actually help sell PSP(2)s.

I still stand by my prediction for 2012 being the big year for new console announcements/releases, not 2011, and I still think the Wii HD might actually happen. Nintendo probably sees the PS2 (and especially its later years) as an indicator of how the casual market can help make a console a tremendous success, which is why they’d be stupid not to keep the Wii around for a few more years (alongside the Wii 2). A redesigned HD version might be the way to go, unless they’re afraid it would take away momentum from the Wii 2. Or is their market dominance too frail to pull off such a Sony-ish move? Either way, all three major corporations have a lot of thinking to do regarding the future of their brands. As Sony painfully had to learn, a good start is half the race.

So how does the TPS staff feel about the Triple on its fourth anniversary? Do they, like me (Aram), lament the loss of some of the quirkier games we saw released regularly on the PlayStation 2? Or are we happy many of them found a home as downloadable titles on the PlayStation Network? Are there really six years left in this system, like Sony would have us believe? We gathered some of the staff around the DualShock 3-shaped conference table and pretended to listen to each others’ thoughts…

Aram Lecis
Señor Editor
Man, four years goes by fast. When the PS3 was born, so was my daughter, and much like having kids, I can’t remember what life was like before I had this black battleship. The ubiquitous console not only plays two generations of games, it has replaced the old Xbox as the media center of my world. I can watch Netflix movies, Vevo music videos, Hulu TV shows, and stream virtually any video file of my own straight to my TV with little effort. After a slow start, the PS3 is rife with great exclusive content and robust offerings on the PlayStation Store, which has become a haven of sorts for indie development houses. I’m not too ashamed to admit that the idea of Trophies is far more compelling to me than Achievement points ever were. Sony seems poised to deliver an almost unbelievable amount of exclusive content in the next six months. What’s not to love?

Well, for starters, I’m not drinking the Sony Kool-Aid when it comes to backward compatibility. I’m a subscriber to the theory that we could still have the ability to play last generation’s games – only Sony realized they could monetize those old titles again by locking us out and forcing us to buy remakes. Don’t get me wrong, I fully support remastering old titles, but we all know that it is a highly selective process, and many titles we consider “classics” will never get updated.

Which brings me to my other issue… where are this generation’s Disaster Reports and Katamari Damacys? (Yes, I realize there is a “new” Katamari game, but I am talking metaphorically, not literally here). One of the hallmarks of both the original PlayStation and the PlayStation 2 was the plethora of “non-traditional” games that graced their catalogs, many of which came from overseas. There has yet to be a Mister Mosquito or even a God Hand appearing in our stores. I appreciate that we can play most import games natively now, and I am pleased by the appearance of quirky little gems like Trash Panic and Noby Noby Boy gracing the PSN, but I miss those wacky, fully-translated titles like IllBleed. We still have time to reverse the trend, but my hopes are not high.

Parjanya Holtz
Senior Editor
I knew I was in love when I plugged in my PS3 for the first time and MotorStorm’s intro started playing. Neither my HDTV nor my surround sound system had ever been able to fully demonstrate their potential until that point. Admittedly, the Xbox 360 was a console that I only got my hands on after getting a PS3, so the technological leap from my beloved PS2 was quite the significant one.

I remember thinking, “Man, this is the future.” The irony is that it wasn’t. Sony’s online system was solid but nowhere near what the 360 offered with Xbox Live at the time. Many of the multiplatform titles were graphically inferior on Sony’s big black box, and we were told rumble was “last gen.” Fortunately, it didn’t take Sony long to realize that they had to look at what the competition was doing if they wanted to catch up – or even surpass them in the never-ending console wars.

With time, we were given the DualShock 3, Trophies, better third-party support, Netflix, the video store, and a lineup of exclusives that I think is far superior to that of the 360, and all of this coupled with the initial selling points of the PS3. There is no denying that Sony has allowed the PS3 to mature into a unique and sophisticated gaming machine that is just far more user-friendly than its competition.

But what’s so attractive is also a form of character that has grown around the system that I simply don’t see anywhere else. Kevin Butler is a pop-culture phenomenon, the PlayStation Blog has become one of the most charismatic “official” sources for gaming news on the web, and the unique option of being able to swap and upgrade your system’s harddrive any time are just a few of the reasons why I consider the PS3 the system of my choice. I truly believe that if Sony keeps up the hard work and eventually realizes that you can have both backwards compatibility and remastered originals alongside one another, the transition from the once-arrogant industry leader to maybe and arguably its most important asset is perfect. I, for one, can’t wait to see where the PlayStation brand goes from here.

Marc N. Kleinhenz
Features Editor
Well, if that brand future manifests itself in the form of PlayStation Portable Phones (PSPPs) and more wishy-washy initiatives like PlayStation Plus, I’m not quite certain that it will either be bright or that arrogant-less.

Kyle Heimbigner
Staff Writer
I didn’t get a PlayStation 3 until December of 2009, when all of the really good exclusives were out or were about to come out within the next three months or so. I had just bought a HDTV (50″ 1080p plasma <3), and Blu-ray was one of the first things I really wanted to try the TV out on. The PlayStation 3 was the only thing I could think of; I’ve always been a huge fan of Sony’s consoles – I loved the PlayStation 2 – and I had started hearing rumors of Gran Turismo 5 coming out soon (not surprisingly, I would have to wait an extra year for it!), so it was a no-brainer.

Looking at the list of exclusives, I knew I would love this system. Demon’s Souls, Uncharted 2, and Metal Gear Solid 4, at the time, were the games that really sold me. (Although I still need to give Demon’s Souls a proper play-through one of these days – I have only ever rented the game. ) The free online play is what sold me on the console, as well. I’ve noticed that those games whose online play is key really survive a long time on the PS3; their online communities keep going a lot longer than on the PC or Xbox 360. This was a major plus that I discovered shortly after getting the system.

Even though I originally mentioned that the strong Blu-ray capabilities were one of the top reasons for me getting a PS3, I have actually ended up only buying a handful of BR movies. With Netflix taking off big time in early 2010, along with other large streaming services providing HD content, there wasn’t a whole lot of reason to go with Blu-ray, it has turned out. The format is great, though, and I don’t see it going away anytime soon.

But, ultimately, the PlayStation 3 is such a strong gaming system that everything else is overshadowed by this fact. It just has the best exclusives available. While I am not always happy with the way Sony handles system updates and provides new features, the games are what is most important, and, in this regard, the PS3 delivers a lot better then anyone else. I’ve always been a fan of Sony’s consoles because they just simply stick to the most important aspects. Sometimes the little things get ignored by them or put aside for long periods of time, but when it comes to providing the most original game titles, they deliver every time – and that is what is really important to me when I am ready to spend my money on my favorite hobby.

Shaun Mason
TPS Mascot
The first time that I saw the PS3, I was blown away by the demos, videos, and launch lineup that looked like it was going to redefine the gaming industry. Then I saw the price, and I was definitely dismayed – while the games were going to be affordable, the launch systems were in the realm of the NeoGeo (an impressive system, technically, at the time, but an incredible failure). It felt like Sony had freely given up the dominance that they’d established over the PlayStation and PS2 years to Microsoft.

While some of the obvious gaffes, like realistic giant crabs and “Riiiiiiiiiiidge Racer!” became internet memes and cast doubt on the future of the system, Sony battled back in some of the ways it knows best – producing high-quality games. Titles like Resistance and MotorStorm were huge in rebuilding faith in the PlayStation fan community, and this was supported afterwards with incredibly solid hits over time: The Show has consistently been the best baseball series ever produced, LittleBigPlanet redefined user content, and God of War III blew users away with its storytelling.

Sony also managed to score a crucial victory in the format wars by trouncing HD-DVD and establishing Blu-ray as the successor to DVDs. Given Sony’s track record in backing formats (Betamax, anyone?), the win of Blu-ray was huge and was due, in part, to the fact that the player was central to every system. Sony gave consumers a system that could play their old DVDs but also gave them HD-quality new releases and games. The PS3 was a Swiss Army Knife that became the center of many a home entertainment system, and it’s hard to imagine sitting down and watching movies without it – whether that’s with a physical disc or streaming movies through Hulu or Netflix.

However, Sony still has done things that will make even the most die-hard fan scratch their head in confusion. While they have no problem touting the support of DVDs and Blu-rays, they completely eliminated backwards compatibility from post-launch systems. This was a huge selling point that helped Sony retain their fans over the years (and console generations) because fans didn’t feel as though they had to abandon their old game libraries. As someone that still has his old “George Foreman”-style PS3 with backwards compatibility, I will scream out my dissatisfaction with this decision ‘til my dying breath. Then I’ll come back from the grave and scream some more like a banshee.

It’s obvious that Sony decided that they could squeeze and bilk users out of more cash by offering digital versions of older games. However, there’s a large problem with this system: many of the games that are posted in the PS Store aren’t games that anyone wants to play. Personally, if I wanted to play Cool Boarders or Syphon Filter, I’d pull out my old PSX copies. But I don’t. Nor do I care about Rayman 2 or Dirt Jockey – if I did, I would’ve bought them years ago. I’d rather play SSX, MGS2, or DMC3, but those aren’t available in the Store. I applaud the repurposing of older games in collections – the God of War Collection is great, I’m sure that the Sly Collection is awesome (I’m looking forward to diving into that for Christmas), and the forthcoming Ico/Shadow Collection is sure to be unbelievable. But it’s taking far too long to produce these titles or post them on the Store for download

Another issue is that many of the games or genres that were mainstays for Sony aren’t there any longer. Sony used to host incredible RPGs and quirky games that captured the imagination of tons of gamers. Where are they? The PS Store seems to be the lone repository of these titles, like EchoChrome or PixelJunk Monsters.

Will Sony right the ship and reestablish its dominance in this generation? I hope so. Many people believe that the Move has better technology than the Kinect or Wii MotionPlus, and now that developers are starting to get comfortable with programming for the system, some of the truly unbelievable games for the console are on the horizon. However, it does seem like Sony needs a show-stopping string of games or piece of tech that Microsoft and Nintendo can’t match or equal – something that Kevin Butler could constantly Mon-Tage in commercials over and over. Since the whole “Marcus PSP” campaign seems dead, it’s time for the big VP of Everything Gaming to step up and lead the console into the gaming promised land.

Aram Lecis
Señor Editor
It really is a shame that the early years of the PS3 were essentially lost to the unexpected shadow of the Wii and the established dominance of the Xbox 360, a fate that was exacerbated by the aforementioned economically unfriendly pricing. I paid $700 for a 3DO back when it launched in 1993, but I couldn’t bring myself to purchase a PS3 until the price hit $400 – not just because I couldn’t afford one (somehow I can always find the money for something as important as videogames), but because there wasn’t a compelling console exclusive until Metal Gear Solid 4 came along. And even then, it was actually Flower that finally pushed me into purchasing one.

Since that time, my Wii has become merely fodder for my toddlers, and my Xbox 360 barely gets turned on (for which my ears thank me), as I have embraced the return to my true love, for whom I sincerely apologize for ignoring for those two years. I’m here with you on your fourth birthday, and I’ll be there for you when you turn 10 (if not you, then your newer, slimmer sister).

Though the games being called out are pretty fundamentally different, there is a link between the two that goes beyond the fact that I was lazy and procrastinated for way too long in getting these up. Both are actually rather intensely social experiences, and ones that need to be played with other people. In the case of our first game, it’s pretty much forced, but with the second, it’s a little less obvious. Even still, both games really opened up when I learned to stop worrying and started to love their bomb-ass nature. Ew, that was a nasty segue. Oh well, on with the fun!

[Resident Evil 5 | Versus DLC]

Price: $4.99

I’ve already voiced my displeasure at how Capcom navigated the possible routes for the Resident Evil franchise, but what’s done is done, and rather than harping any more on the choices, it’s probably better just to live with ‘em. In truth, to properly enjoy the modes that the Versus add-on pack has to offer, you need to not just tolerate the particular eccentricities of Resident Evil 5’s controls but properly embrace ‘em. Like, big ass bear hug-style. I’d be lying if I said I wasn’t… resistant to jumping back into playing RE5, but in a very real sense, this is lemonade being made out of lemons.

Mercenaries Mode, the additional bit of arcade-flavored, time-crunched fun that’s unlocked when you finish the story mode of Resident Evil 5 is deceptively similar to the main game, and by extension, so is the Versus Mode offerings — Slayer and Survival in both “single-player” and co-op flavors. I use the quotes only because the two modes aren’t entirely driven apart by vast similarities; if you want to mess with the other guy, he’ll happily soak up your shots and then give you a few precious seconds of free not-zombie killing action.

The game’s at its best, though, when you do either force yourself to work alongside or against someone with a clear goal. The fun that comes from knowing you’re supposed to gun down the other guys or stand back-to-back with ‘em, taking on the red-eyed hordes lets you concentrate on that basic idea. That Survival actually penalizes you for shooting those zombies, however, turns the weird lock-n-turn combat into a game of selective targeting; don’t shoot the normal enemies and instead try to get a bead on the guys that are scrambling all over the place. Thing is, the normal Mercenaries maps that are re-used here (as are the characters and the weapons loadouts) suddenly feel new when you’re constantly trying to juggle weapon range, damage and getting the drop on someone. That guy or gal trying to run around to get the drop on you almost makes it all feel like a sniper duel, which isn’t something I expected.

Conversely, the kind of communication and teamwork (even within the confines of Versus’ complete lack of customization or even rematch options) needed to rack up the kills to unlock new (okay, old) maps in Slayers makes it feel new too. Headshots and chaining kills while using the environment while not stealing kills or wasting spare explosions changes things again. For five bucks, this is actually not a bad way to make something old (or at least familiar) feel new. One could argue that it could (or even should) have been included on the disc as a playable option after beating the game like Mercenaries, but there’s no denying that what’s here is added value, and the price is right.

[Buzz! Quiz TV | Rock Legends Quiz Pack]

Price: $7.99

There’s not a whole lot to say here about the latest Buzz! add-on that wasn’t already covered by my last dive into the 500 post-release questions Sony’s cooked up. The difference between this one and the American Culture Quiz Pack is that it’s [i]clearly[/i] designed around those that have a semi-encyclopedic knowledge of rock music; Glam, Hair Metal, Blues, Classic Rock… hell, there’s even a few Jazz questions in there, though I’m not complaining. Needing a breadth of quick-recall info on the various types of music is hardly a bad thing, exactly, as it actually helps multiple age groups and interests get into things. It [i]does[/i] mean, however, that this is something best served up to those that have Rolling Stone subscriptions because nothing will turn someone from a cautious player idly tapping at the Buzz! buzzer into a whooping “TASTE MY HENDRIX SCIENCE!”-screaming know-it-all like nailing a couple of questions.

I still would have liked to see these Quiz Packs uh… pack in more stuff; more video, more audio clips and, [i]please[/i], guys, more stuff from Buzz himself and the announcer. It’s a bummer that the same quips are used constantly — especially because there were so few of them on-disc to begin with. I realize the game probably isn’t tapping much of the Blu-ray’s capacity, but I wouldn’t mind a bigger download size if it meant some cool old footage of The Who or rare live recordings of bands as part of some of the questions. As it stands now, this is all basically piggybacking off the content that’s already on the disc, and it doesn’t quite feel like it’s completely worth the asking price. Even still, all my bitching still can’t deter me from recommending this to those of you looking to stretch [i]Buzz![/i] just a bit further.

And there you have it. Two passing glances at games that I actually found rather entertaining despite them being mere morsels compared to their parent games. Both worth picking up, and though for entirely different reasons, both serve as great ways to extend a game past its on-disc life, which is the idea behind DLC anyway, right? Right.

The reality of what 2.40 adds to the PlayStation 3 experience is something that isn’t exactly tangible from the get-go. Yes, you have custom soundracks. Yes, you have Trophies, which to me is huge because rather than an arbitrary number, you now have that and an RPG-style level. Why the hell this is more engrossing to me than GamerPoints has actually caused me a bit of concern. There is quite literally zero difference between the two in the grand scheme of things; it’s still just a number, but something about the idea of “leveling up” based on grabbing Bronze, Silver and Gold trophies is, admittedly, intoxicating.

We don’t even have a full-fledged game yet patched (at least at the time of this blog) that supports the idea of the “Platinum Trophy” (you get it for earning all the Bronze/Silver/Gold Trophies, and it gives you, in effect, an “experience boost” for nailing ‘em all). But I want it. I don’t even know why I want it, but I do. It’s the RPG nut in me, and duplicative though it may be toward Microsoft’s Achievements, something about it being not another number yet, yes, still another number amazes me.

But 2.40 isn’t perfect. It went well for most of our systems, but Warren’s machine has bucked and decided to restart at random times. Still other tales persist on forums across these here tubes that tell a far more frightening tale: PS3s are getting bricked. We’ve contacted Sony, but not after all this rabble has eased a little, to hopefully get an official comment on things (we’ll let you know when we know).

It does seem that this is an issue commonly tied to people that opted to go the very route that Sony had allowed and upgraded their hard drives. In many cases, this includes the 40GB folks, which, aside from the Metal Gear Solid bundle, have already had to suffer no PlayStation 2 backwards compatibility if they wanted to play someting other then PS3 and PS one games. The (relatively) meager storage space was also a reason to throw another hard drive in there.

It does seem the solution so far is to just insert the normal system-ready hard drive back into the PS3. Things update (begrudgingly, if my 30 minutes of literally constant rebooting and searching for an update to Super Stardust HD are any indictation), but we’ll get an official word from Sony here soon… I hope.

No, in all seriousness, it’s important because for the past year and half-plus, the PlayStation 3 has been the industry whipping boy and only most of it is self-generated. Thing is, every Sony system takes about two years to get its shiznite in gear and start properly rocking. The only difference this time is that Sony has competition from two different sides and both are doing some things better. So how do they turn things around? Simple: G-A-M-E-S. Software is the key to providing initial attraction and maintaining it into the long term.

Surprisingly, though, both of the other systems either haven’t really talked about what they have coming for this year beyond a select few titles or simply don’t have much right now to show. Sony, on the other hand, is poised to rock a serious block o’ awesome throughout most of this year. Sure, some of these games might slip, but at least as a value proposition, this is what gives the PS3 some serious rallying power.

10. Grand Theft Auto IV

Were this a popularity list, all ten entries would be GTA IV. It’s that big. There will not be a more significant game than this one, be it because of the inevitable controversy, the sheer amount of awesomeness burned onto the disc or the fact that people will likely be sharing their experiences with the game for years to come. The only game that will top GTA IV in raw hype will be whatever follow-up Rockstar ends up making. Speaking of hype…

9. Metal Gear Solid 4

Again, if we’re just talking hype here, MGS4 could probably claim its own list. The fact that every person we’ve talked to that has finished the game talk about it in a kind of hushed reverence should say a thing. Will be it amazing? Oh yes — the only question is how amazing?

8. WipEout HD

Who would’ve thought the MotorStorm a modified version of the Formula One CE Engine was this flexible. Not only does WipEout HD look amazing (especially the new living equalizer that is Zones Mode), it also runs like a dream in bullet point-friendly 1080p/60fps. Just like WipEout games should. The fact that we’re capitalizing that E should show just how big a fan of the series we are, but don’t worry. After playing the bestest HD anti-grav racer ever, you will too, just watch.

7. SOCOM U.S. Navy SEALs Confrontation

Ahaaa, but the PS3 isn’t quite done with kicking out the brown straight to your peepers just yet. No, there’s still trrrstststsss to kill In the Name of Freedom with SOCOM Confrontation. Sure, the single-player part of the series may have hit a peak a while back, but the online is still one of the franchise’s biggest draws. With Confrontation, all that pesky offline stuff is ditched for a pure multiplayer experience that’s… well, considering we only got a peek almost a year ago, we’re gonna go ahead and say with a bit of faith that it’s going to be fun.

6. Home

Laugh all you want, buddy; Home is more than just a Second Life clone. Sure, there’s all the chatting/customization crap, but this is also the portal to 3D representations of your Accomplishments in games. Yes, virtual trophies are our reason for looking forward to a graphical chat room. But hey, it worked for Gamerscores, right?

5. Resistance 2

You might notice there’s no link to a game page with tons of screens and movies here like there is in the titles of all the other games. Why? Because Insomniac Games hasn’t been kind to gift us with pretty, pretty pictures of their new epic yet. So why is it on the list, you may ask? Because, silly person, the first game was rad-tastic and with the promise of 60-player online multiplayer, a completely separate 8-person co-op campaign, a full single-player game and all the crazy ass advancements that Insomniac has been making to their core engine, it would take a miracle for the game to not blow us away. So there.

4. MotorStorm 2

Oh, hey, another game without pictures? All these words are starting to get in the way, we know. Here’s the difference, though: we’ve got video of this one. G’head, click the title of the game there and check out the teaser trailer under the Movies link. See if that doesn’t just make your pants just a liiittle bit tighter. Don’t worry, it’s probably just the end of the trailer. Probably.

3. Killzone 2

Words can’t properly describe how technically impressive Killzone 2 is. Not even still pictures can illustrate just how close Guerilla Games came to the infamous CG trailer (yeah, that one). Luckily, we have a trailer of it just for you, at the link just above. Honestly, we don’t even care if the game turns out good (okay, we care, we do), those visuals are going to justify HDTVs all over the place.

2. LittleBigPlanet

Truly, there may never be a more “awwwwww”-worthy game on the PS3 in its entire lifespan. Not only is LittleBigPlanet contender for Game of the Year already (and we’ve only played like an hour of it so far), but it represents a grab-the-bull-by-the-horns approach to embracing and channeling user-driven content like few games ever can. The charm is undeniable. The freedom is incredible. The creation of giant levels filled with blocky penis-like shapes will be unstoppable.

1. How to Destroy Your Credit in One Year: The Game

Ah, the most gripping and visceral of them all. The one game on this list that will stand head and shoulders above all else. Yes, kids, it’s The Game… of Life. This list, Sony-development-heavy though it may be, really only represents a sliver of what the PlayStation 3 is going to get that already registers as a 7.8 or higher on the Awesome-O-Meter. There is a ton of incredible content not only on the PS3, but on just about every system out there this year, which means that the greatest battle of all will be on our poor, defenseless bank accounts.

They will be drained, oh yes. They will be drained.

Agree with our made-up list? Disagree? Want to just call us a bunch of doodie-heads? Fine, Sport, hit our fancy new forums and made with the name-calling. Just make sure you do it with lots of extra, pointless words. It’s the TPS way!

It’s no secret that hard drives are getting bigger and people are becoming more technologically astute, as well as internet savvy. Fifteen years ago, the internet was a foreign monster to many households, but now it’s a way of life. It’s even extended itself to portable devices, the smallest of which can barely squeeze a couple lines of text on the screen from our favorite website. But that doesn’t stop us.

As it becomes easier for us to connect to the internet, it only makes sense that it would be easier for us to get content into our homes. Enter iTunes. Though it was hardly the first, it is one of, if not THE largest of all the online music distributors out there. Ten years ago, the idea of downloading entire music albums, TV shows, and movies was a pipe dream, but now we can do it with the click of a button. And storage space is becoming less of an issue, whereas ten years ago we were forced to burn everything to CD-Rs.

Even with that in mind, there is no definitive way to get that content. Consumers can use a myriad of choices, ranging from the Apple TV, a somewhat elegant solution, to Net Flix, which also offers a myriad of choices for the consumer, but none offer the fullest range of content or ease of use that would truly help download only technology go mainstream. Plug and Play this is not.

There are also other issues, most notably those of the hardcore variety. For those who demand the most out of their equipment, HD over the net doesn’t come close to a Blu-ray Disc running in the PS3. High fidelity picture and sound is a must when one invests thousands of dollars in equipment that is meant to deliver an eyeball melting, ear massaging experience.

But, if the equipment were in place, would the physical media experience matter to a consumer who still awkwardly attaches composite cables to their brand new flat screen LCD or plasma?

Sam and I arrived at a crossroads in our discussion. He supported the idea of physical media, stating that the utmost quality, as well as the sleek packaging, will always maintain mindshare in the mainstream. There’s also the notion that, as a species, we like to collect “things” to show off. I, however, believe downloads will be the future, with people purchasing a few physical discs a year of their favorite shows, and downloading or streaming the rest.

Granted, in the current consumer level environment what I envision is far from possible. But the push to broadband, and even wideband, could change all of that.

Location also plays a huge part in the download push, as a country’s internet infrastructure will dictate whether its citizens have the necessary bandwith to download large files quickly. Asia, with its dense populations, have infrastructures that far outstrip those of the western world, mostly especially Japan. With China and India becoming burgeoning world economies, it would only make sense to provide high speed internet access that even North America might not see for another decade. Huge population centers, as well as spending habits, determines content delivery and China and India may affect that delivery scheme in the next decade.

Combined, we could see a download only push in a little under a decade. The possibilities are endless.

So what do you think, fine readers: will download only be the future or will physical media still maintain its place? Let us know!